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		<title>Tuesday Poem: &#8220;A Weirdly Whispering Wind&#8221; &#8212; Stanzas 227 to 234</title>
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		<pubDate>Mon, 23 Jan 2012 11:49:23 +0000</pubDate>
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				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Apsley Cherry-Garrard]]></category>
		<category><![CDATA[H.G. Wells]]></category>
		<category><![CDATA[Herman Melville]]></category>
		<category><![CDATA[Marc Ellis]]></category>
		<category><![CDATA[Samuel Johnson]]></category>

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		<description><![CDATA[Res Publica, Book One, Canto the Third How our narrator, waking safely on his island, celebrates his survival – but then, to his despair, discovers an unexpected hatchling . . . 227. Delirious dreams. A raw and painful sun aroused &#8230; <a href="http://immortalmuse.wordpress.com/2012/01/24/tuesday-poem-a-weirdly-whispering-wind-stanzas-227-to-234/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=immortalmuse.wordpress.com&amp;blog=9357570&amp;post=3259&amp;subd=immortalmuse&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><em><strong>Res Publica, Book One, Canto the Third</strong></em></p>
<p><font size="+1"><strong><em>How our narrator, waking safely on his island, celebrates his survival – but then, to his despair, discovers an unexpected hatchling . . .<br />
</em></strong></font></p>
<p><div id="attachment_3263" class="wp-caption alignright" style="width: 132px"><a href="http://immortalmuse.files.wordpress.com/2012/01/62232.jpg"><img src="http://immortalmuse.files.wordpress.com/2012/01/62232.jpg?w=122&#038;h=150" alt="Form All Black rugby star, Marc Ellis, streaking at a provincial rugby match in 2007." title="Form All Black rugby star, Marc Ellis, streaking at a provincial rugby match in 2007." width="122" height="150" class="size-thumbnail wp-image-3263" /></a><p class="wp-caption-text">Marc Ellis, former New Zealand rugby star and founder of Charlie's Juice company, streaking at a provincial rugby match in 2007.</p></div><strong>227.</p>
<p>Delirious dreams. A <em>raw</em> and <em>painful</em><br />
sun aroused me. I do not mean<br />
the sun itself was shining; the scene<br />
to which my sore – but proud, disdainful –<br />
body now awoke was shadow-less;<br />
the sky in pure white doctor’s dress,<br />
the sun a stethoscopic metal<br />
on a ghastly patient pressed.<br />
So has his heartbeat ﬁnally settled?<br />
Is the air back in his chest?<br />
And still those taunting words – <em>raw</em><br />
and <em>pain</em> and <em>sun</em>. And <em>kelp</em>. I saw<br />
no kelp, yet seemed to feel it round me.<br />
How strange such words should so confound me. </p>
<p>228.</p>
<p>Where were they coming from? I wrestled<br />
free of that well-fettered spot<br />
– for seeking warmth, my legs were caught<br />
by several nets in which they’d nestled.<br />
I staggered up and looked around.<br />
<em>Tug</em>’s twisted crane, like snifﬁng hound<br />
in stiffened point, had found the very<br />
spot where once the albatross<br />
had looked at me with dark and wary<br />
eyes. And there ol’ <em>Tug</em> had tossed<br />
her smokestack pipe, which looked just like<br />
a great harpooner’s skillful strike.<br />
(What jokester muse to blame, that whaling<br />
spawns the double-rhyme – <em>impaling</em>?)</p>
<p>229.</p>
<p>And there – untouched, untroubled – my planted<br />
ﬂag, all droop and drag, still stood<br />
amongst the scraps of splintered wood<br />
and strewn debris of disenchanted<br />
dunnage. A truant, upturned drawer<br />
of knives. And scattered on the shore<br />
some tanks of water. A book (which heartened,<br />
for it had landed someplace dry):<br />
Melville’s <em>Typee</em>. A Charlie’s carton<sup>108</sup><br />
of juice (a mate of mine, that guy),<br />
remarkably full, yet slightly scrunched<br />
as if it had been stomach-punched.<br />
Some happy news: my one-way shipment<br />
had safely delivered my camp equipment. </p>
<p><div id="attachment_3265" class="wp-caption alignright" style="width: 160px"><a href="http://immortalmuse.files.wordpress.com/2012/01/herman-melville-9405239-1-4021.jpg"><img src="http://immortalmuse.files.wordpress.com/2012/01/herman-melville-9405239-1-4021.jpg?w=150&#038;h=150" alt="Herman Melville: &#039;A book (which heartened, / for it had landed someplace dry): / Melville’s &lt;em&gt;Typee&lt;/em&gt;&#039;" title="Herman Melville: &#039;A book (which heartened, / for it had landed someplace dry): / Melville’s &lt;em&gt;Typee&lt;/em&gt;&#039;" width="150" height="150" class="size-thumbnail wp-image-3265" /></a><p class="wp-caption-text">Herman Melville: &#039;A book (which heartened, / for it had landed someplace dry): / Melville’s Typee</p></div>230.</p>
<p>A tent. A bed. Some cargo had drifted<br />
out to sea while I was lost<br />
in throbbing dreams. A minor cost.<br />
I couldn’t help feel but I’d been gifted<br />
my life! This land! I scooped some sand<br />
and kissed it! O all the dreams I’d planned,<br />
my country! Our fate would be debated<br />
in parliament – or parlia-tent<br />
I should say – on my inﬂated<br />
mattress, with me, just me, to represent<br />
myself, a population of one.<br />
To hold an election (and know I’d won!).<br />
To write, to pass, to sign a treaty<br />
sent by bottle to Tahiti;</p>
<p>231.</p>
<p>to draft new laws each year but never<br />
let them pass, then on a whim<br />
to check an imbalance, or take a swim<br />
– or take a shit! And so forever<br />
to break from Samuel Johnson’s rule<br />
(that Republics are governed by more than one fool)<sup>109</sup><br />
A single fool I’d be with numerous<br />
voices in my head. This struck<br />
me as so credible, so humorous,<br />
a wave of laughter felled me. What luck,<br />
to go insane before my camp<br />
was made, amongst these tattered, damp,<br />
remains of my absurd intentions!<br />
The mind must check its own inventions. </p>
<p>232.</p>
<p>But just as I was pacifying<br />
these befuddling thoughts, I heard<br />
those words again. What ﬁsh or bird<br />
or god was speaking? I tried replying:<br />
‘<em>Raw</em>!’ I shouted. ‘How <em>raw</em> my <em>pain</em>!<br />
Where is the <em>sun</em>?’ – and in this vein<br />
I tried conversing with that crazy<br />
agent in my head, but soon<br />
survival’s sunbeam cleared my hazy<br />
thoughts. The rainy afternoon<br />
detained me long beneath a torn<br />
and trembling tarp. And when the storm<br />
had passed, that eerie voice was silent. </p>
<p>‘Concussions make our thoughts turn violent.’</p>
<p>233.</p>
<p>That’s what I thought, my dear! Some knocking<br />
of my head it must have been!<br />
Some damage to the wit within<br />
had made me hear some spirits talking<br />
(while giving them such little speech;<br />
no more than ﬁ ve or six words each).<br />
It wasn’t until the following morning,<br />
when truly the sun appeared – a pink<br />
electrifying sort of warning<br />
bulb, for how it ﬂashed and blinked<br />
as it prepared for its ascent –<br />
that I began to think, would I invent<br />
such words? And not until that strobing<br />
sun matured, and I was probing </p>
<p>234.</p>
<p>through the wreckage for some cooking<br />
gear and kindling, did I decide<br />
those words were more than mumbling tide<br />
or weirdly whispering wind; and looking<br />
for their source might give me peace<br />
of mind. The murmurs, however, had ceased<br />
a while. I fed on Tim-Tams.<sup>110</sup> Then heard it<br />
– ‘Kelp! O kelp!’ – mufﬂed, yet clear.<br />
I scanned the land where I inferred it<br />
must be coming from. Just near<br />
a crate ﬁlled with tin cans, a drum<br />
of what I thought was oil had come<br />
to rest. Or rather, not quite. That liver-<br />
colored drum – <em>I saw it shiver</em>!<br />
</strong><br />
<br />
<div id="attachment_3268" class="wp-caption alignright" style="width: 133px"><a href="http://immortalmuse.files.wordpress.com/2012/01/samuel_johnson_by_joshua_reynolds.jpg"><img src="http://immortalmuse.files.wordpress.com/2012/01/samuel_johnson_by_joshua_reynolds.jpg?w=123&#038;h=150" alt="Samuel Johnson c. 1772, painted by Sir Joshua Reynolds" title="Samuel Johnson c. 1772, painted by Sir Joshua Reynolds" width="123" height="150" class="size-thumbnail wp-image-3268" /></a><p class="wp-caption-text">Samuel Johnson c. 1772, painted by Sir Joshua Reynolds: 'to break from Samuel Johnson’s rule / (that Republics are governed by more than one fool)'</p></div><em><sup>108</sup> Charlie’s Not From Concentrate (NFC) Orange Juice was co-founded by the New Zealand rugby league and rugby union player, Marc Ellis (born 1971). He is also a television celebrity known for – as this editor’s Kiwi colleague puts it – ‘somehow stepping outside the natural time continuum and doing adult things, such as running a business, hosting sport and travel shows, while never looking, or acting, older than 20. And thus, his youthful indiscretions, such as buying illegal party drugs, or talking on television about “sweating like a rapist,” or encouraging streakers to disrupt a televised sporting event, are usually forgiven as typical Kiwi “lad” behavior.’<br />
<sup>109</sup> Samuel Johnson, in his </em>Dictionary of the English Language<em> (London, Walker and Co, new edition, 1853, page 536), deﬁnes the word </em>Republick<em>: ‘state in which the power is lodged in more than one.’<br />
<sup>110</sup> Produced by Arnott’s, the Tim Tam is made up of two dry, brown biscuits separated by chocolate cream and dipped in chocolate. For some reason, each package of Tim Tams contains exactly 11 biscuits, which requires the breaking of one biscuit to equitably share the entire package between two people.<br />
</em></p>
<p>__________<br />
<em>Zireaux’s comments on these stanzas</em><br />
And so at last the relevance of our title &#8212; <em>Res Publica</em> &#8212; becomes clear:  &#8216;A state in which power is lodged in more than one.&#8217;  </p>
<p>To recap: Our narrator has discovered a tiny island.  He&#8217;s claimed it as his own.  He&#8217;s packed up a boat, set off by himself to live out the rest of his life upon that little rock amidst the open sea.  But as he nears the island, in heavy swells, he finds no place to land his boat.  He doesn&#8217;t want to turn back.  His life on the mainland is miserable.  He decides, instead, to crash his boat upon the island&#8217;s frothy shores.  A shipwreck, by god &#8212; and lo!  He survives!  With no way to return (the boat is destroyed); and isn&#8217;t that wonderful?  Alone on his island at last!  &#8220;Just me, to represent / myself, a population of one. / To hold an election (and know I’d won!).&#8221;  He celebrates his conquest, his solitude, his absolute power.</p>
<p>But then, he thinks he hears a voice &#8212; words like <em>raw</em> and <em>pain</em> and <em>sun</em> and <em>kelp</em>.  And then, in the final lines of stanza 234, one of the oil drums from the shipwreck begins to move.  &#8216;That liver- / colored drum – <em>I saw it shiver</em>!&#8217; (Next week we&#8217;ll learn what&#8217;s inside).</p>
<p>A note about Melville&#8217;s <em>Typee</em>: I&#8217;m of the opinion that <em>Typee</em>, the great whale-man&#8217;s first book, provided an inspiration for Wells&#8217;s <em>The Time Machine</em>.  Both stories involve an encounter with two tribes, one cannibal, the other peaceful.  Both Wells&#8217;s &#8220;Time Traveller&#8221; and Melville’s narrator (Herman playing himself) are responsible for the death of a beloved member of their host tribe.  Both, at certain stages, become violent toward their hosts and disconsolately question their own behavior.  And both find innocent, loving female concubines who help massage away their despair.</p>
<p>I can&#8217;t think of a better book than <em>Typee</em>, a favorite of my youth, to survive on the island of <em>Res Publica</em>.  (Although you&#8217;ll recall that while preparing for his trip, <a href="http://immortalmuse.wordpress.com/2011/11/29/tuesday-poem-for-what-are-brains-but-great-intestines-stanzas-177-to-183/" title="Apsley Cherry-Garrard">Arcady packed Apsley Cherry-Gerrard&#8217;s <em>The Worst Journey in the World</em>,</a> another work which no doubt survived the shipwreck).</p>
<p>Speaking of inspiration, I encourage you to visit the <a href="http://tuesdaypoem.blogspot.com" title="Tuesday Poem">Tuesday Poets</a> at <a href="http://tuesdaypoem.blogspot.com" title="Tuesday Poem">tuesdaypoem.blogspot.com</a>.</p>
<p>&nbsp;</p>
<p style="text-align:left;font-size:8pt;"><a href="http://immortalmuse.wordpress.com/res-publica-book-one/"><img src="http://immortalmuse.files.wordpress.com/2011/05/rpbookimage-12.jpg?w=500&#038;h=70" height="70" border="0" align="right"></a><a href="http://immortalmuse.wordpress.com/2011/05/10/seven-years-and-fifty-weeks/">Read from the beginning of <em>Res Publica</em></a> | <a href="http://immortalmuse.wordpress.com/listen-now/">Listen to the audio version (read by Stuart Devenie)</a> | <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&amp;hosted_button_id=8M54WUNS9UJGL">Buy a signed copy of the book</a></p>
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		<title>Tuesday Poem: &#8220;The Artist&#8217;s Hand&#8221; &#8212; Stanzas 218 to 226</title>
		<link>http://immortalmuse.wordpress.com/2012/01/17/tuesday-poem-the-artists-hand-stanzas-218-to-226/</link>
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		<pubDate>Mon, 16 Jan 2012 13:29:24 +0000</pubDate>
		<dc:creator>immortalmuse</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[James Joyce]]></category>
		<category><![CDATA[Joan Didion]]></category>

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		<description><![CDATA[Res Publica, Book One, Canto the Third 218. To land! To land was all that mattered! ‘You see her, Tug? That brief expanse of bronzy rock that seems to dance upon the sea?’ &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;Tug’s engine clattered wistfully as we both &#8230; <a href="http://immortalmuse.wordpress.com/2012/01/17/tuesday-poem-the-artists-hand-stanzas-218-to-226/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=immortalmuse.wordpress.com&amp;blog=9357570&amp;post=3238&amp;subd=immortalmuse&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_3256" class="wp-caption alignright" style="width: 160px"><a href="http://immortalmuse.files.wordpress.com/2012/01/easternsolomonsenterpriseburning.jpg"><img src="http://immortalmuse.files.wordpress.com/2012/01/easternsolomonsenterpriseburning.jpg?w=150&#038;h=114" alt="&#039;Atolls a-tolling:&#039; The American Carrier, the USS Enterprise, under attack in the battle of Guadalcanal, the Solomon Islands, 1942." title="&#039;Atolls a-tolling:&#039; The American Carrier, the USS Enterprise, under attack in the battle of Guadalcanal, the Solomon Islands, 1942." width="150" height="114" class="size-thumbnail wp-image-3256" /></a><p class="wp-caption-text">&#039;Atolls a-tolling:&#039; The American Carrier, the USS Enterprise, under attack in the battle of Guadalcanal, the Solomon Islands, 1942.</p></div><em><strong>Res Publica, Book One, Canto the Third</strong></em></p>
<p><strong>218.</p>
<p>To land! To land was all that mattered!</p>
<p>‘You see her, <em>Tug</em>? That brief expanse<br />
of bronzy rock that seems to dance<br />
upon the sea?’ </p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<em>Tug</em>’s engine clattered<br />
wistfully as we both spied<br />
ahead; and watched my island ride<br />
the waves – a small, enchanted saddle<br />
strapped to bucking Neptune’s back;<br />
and me, rough-rider, keen to straddle<br />
her and break her in. Attack!<br />
Attack! <em>Tug</em>’s engine revved, then roared;<br />
and sent a shudder through the boards<br />
beneath my feet; as I stood quaking<br />
there, and felt her throttle shaking</p>
<p>219.</p>
<p>within my grip, a nervous partner,<br />
a rapid step, an empty ﬂoor,<br />
a ﬁnal dervish dance before<br />
carnassial rocks would rip apart her<br />
ﬂesh and mine. But straight we sped,<br />
my island pitching less, more spread<br />
across as we grew nearer.<br />
I tell you, reader, we never see<br />
life’s true dimensions clearer<br />
– a sudden sense of symmetry;<br />
an end to mirror the start – as when<br />
our minds, at last, can comprehend<br />
the time and place of our conclusion.<br />
The vividness of life’s illusion!</p>
<p>220.</p>
<p>The sudden poignancy of every<br />
moment, the way each tiny part’s<br />
a perfect ﬁt, just as great art<br />
appears extempore, a random reverie,<br />
when, in truth, it’s neatly planned;<br />
and O, to glimpse the artist’s hand,<br />
its careful, loving intervention<br />
is the essence that deﬁnes<br />
a genius! (And not that foul contention<br />
made by preachers who opine<br />
the hand’s divine, and much too strong<br />
to be critiqued, or proven wrong.)<br />
We do not mourn our death. The grieving<br />
which occurs when we, perceiving</p>
<p>221.</p>
<p>all at once the sharp, meticulous<br />
details of life, and how they all,<br />
those trillion puzzle pieces, fall<br />
in place the moment our ridiculous<br />
end is reached – that grieving’s meant<br />
not for ourselves. No. We lament<br />
the waste of so much concentration<br />
by our honest maker. We mourn<br />
this artist’s sense of desolation;<br />
the pain through which our world is born<br />
and raised. The mighty precision! It’s clear,<br />
so clear to one near death: the sheer<br />
artistic effort! The more enchanted<br />
is life, the more we take it for granted.</p>
<p>222.</p>
<p>The wind tried hard to hold me back; it<br />
madly wiped my tears and ﬁlled<br />
my ears with caution – ‘You’ll be killed!’ –<br />
and made a mainsail of my jacket,<br />
which spasmed, crackled, slapped my face<br />
with its loose collar. That airy embrace<br />
was steady, strong, but lacked the muscular<br />
pluck of swarthy <em>Tug</em>, who rammed<br />
me through each wave in that crepuscular<br />
spread of sparkling violet jam.<br />
How thick a sea can seem to one<br />
whose journey – whose <em>life</em> – is almost done;<br />
how far each wave, how long each second,<br />
when one’s demise is ﬁnally reckoned!</p>
<p><div id="attachment_3248" class="wp-caption alignright" style="width: 160px"><a href="http://immortalmuse.files.wordpress.com/2012/01/horntorp.jpg"><img src="http://immortalmuse.files.wordpress.com/2012/01/horntorp.jpg?w=150&#038;h=106" alt="Japanese &#039;Kate&#039; drops a torpedo on the USS Carrier Hornet in the battle of Guadalcanal, the Solomon Islands.  " title="Japanese &#039;Kate&#039; drops a torpedo on the USS Carrier Hornet in the battle of Guadalcanal, the Solomon Islands.  " width="150" height="106" class="size-thumbnail wp-image-3248" /></a><p class="wp-caption-text">Japanese &#039;Kate&#039; drops a torpedo on the USS Carrier Hornet in the battle of Guadalcanal.</p></div>223.</p>
<p>And as my <em>Tug</em> reached full velocity;<br />
then my isle began to charge,<br />
a monster baring blackish, large<br />
and drool-smeared teeth, with a ferocity<br />
never had I fathomed of<br />
that ﬂedgling land for which such love<br />
I held. The island rushed right at us.<br />
I heard what sounded like a case<br />
of stomach gas, a rumble of ﬂatus<br />
rippling through <em>Tug</em>’s belly. I braced<br />
against the portside rail with hands<br />
that didn’t let go when we struck land.<br />
And what a blow! As if the ocean<br />
could not bear our ship’s commotion</p>
<p>224.</p>
<p>and wished to smash us into pieces<br />
just to stop our god-awful drone.<br />
Imagine water turned to stone,<br />
or newborn lamb whose ﬂeece is<br />
suddenly changed to armor plate<br />
– that’s how it was. Our hurling weight<br />
from softest substance smacked that lithic,<br />
steadfast island with a boom<br />
unheard across the South Paciﬁc<br />
since Japan’s torpedoes doomed<br />
the <em>Hornet</em> and the <em>Enterprise</em><sup>107</sup><br />
near islands named to honor a wise<br />
Hebraic King! Atolls a-tolling!<br />
Great moments in history are rarely consoling.</p>
<p>225.</p>
<p>What followed: A marvelous, crepitating<br />
crunch; and then a cannonade<br />
of sundry ware like grapeshot sprayed<br />
into a foe – the navigating<br />
gear, the kitchenette, a fridge,<br />
straight through the window of the bridge;<br />
the cabin detonated, spreaders<br />
hurled ahead like monstrous spears,<br />
a ﬂurry of steel, as through a shredder,<br />
wailed and whistled past my ears;<br />
the radar vaulted from the ship<br />
which left its steely chains to whip<br />
about in wild, tentacular furry.<br />
The rest, for me, is somewhat blurry.</p>
<p>226.</p>
<p>Until I found myself, still gripping<br />
the rail, still prostrate on the deck,<br />
still part of that spectacular wreck,<br />
with bitter tasting liquid dripping<br />
on my cheek (a mix of sea<br />
and diesel fuel). Not far from me:<br />
a large, much-dented brown container<br />
which, a moment before, had lain<br />
in <em>Tug</em>. The keel had split in twain her<br />
hold, and there she rested, slain,<br />
a disemboweled ﬁsh, or whale,<br />
with box-shaped organs, steel entrails<br />
all scattered around. The rocks were bleeding<br />
her fuel. My mind, in sleep, receding. . . </p>
<p></strong><br />
<br />
<em><sup>107</sup> The </em>Hornet<em> and the </em>Enterprise<em> were American aircraft carriers assigned to guard the sea approaches to Guadalcanal in the Solomon Islands during World War II. The </em>Hornet<em> still ﬂoated after receiving nine torpedoes and more than 400 rounds of shell ﬁre from the destroyers </em>Mustin<em> and </em>Anderson<em>. The </em>Enterprise<em> proved equally indomitable, and although badly bombed by the Japanese in August and October, 1942, she still launched planes against enemy ships in November. </em></p>
<p>__________<br />
<div id="attachment_3247" class="wp-caption alignright" style="width: 111px"><a href="http://immortalmuse.files.wordpress.com/2012/01/joan_7.jpg"><img src="http://immortalmuse.files.wordpress.com/2012/01/joan_7.jpg?w=101&#038;h=150" alt="Joan Didion" title="Joan Didion" width="101" height="150" class="size-thumbnail wp-image-3247" /></a><p class="wp-caption-text">Joan Didion</p></div><em>Zireaux’s comments on these stanzas</em><br />
If the quality of poetry can be measured by the delight the poet takes in re-reading the lines long after their genesis, then I can confirm, my dear readers and critics, that these are some wonderful stanzas.</p>
<p><em>We lament / the waste of so much concentration / by our honest maker.</em></p>
<p>It strikes me that the narrator of my latest novel (a book now at the mercy of the publishing gods) says something similar as he observes a photo of his family just moments before attempting to shoot himself: </p>
<p>&#8220;A surge of grief &#8212; not for myself, or for my loss, but for the waste of so much love invested in the long creation of me.&#8221;</p>
<p>In Joyce&#8217;s &#8220;The Dead,&#8221; it&#8217;s not the dead that we lament.  Death is courteous and dignified and refreshingly aloof to opinion polls or party gossip.  We lament, rather, the little workings of life, the intricacies of creation, the passion and patience of the artist&#8217;s hand that plays a long-remembered song on the piano, or lays a table with &#8220;minsters of jelly,&#8221; &#8220;bunches of purple raisins and peeled almonds,&#8221; &#8220;a small bowl full of chocolates and sweets wrapped in gold and silver papers and a glass vase in which stood some celery stalks.&#8221;  </p>
<p>(Joyce, by the way, places these celery stalks on the table to emphasize the bland, well-mannered, upright, overly-intellectual nature of his protagonist, Gabriel, &#8220;who never ate sweets.&#8221;). </p>
<p>These sweets, these dinner parties, these offerings on the table &#8212; however hard we try, we can never fully appreciate, or capture, or reciprocate for the wondrous workings of creation.  What is more devastating than that?</p>
<p>Joan Didion expresses the unbearable anguish of this dilemma in her latest memoir, <em>Blue Nights</em>: “There was a period,” she writes, &#8220;a long period, dating from my childhood until quite recently…during which I believed that I could keep people fully present, keep them with me, by preserving their mementoes, their &#8216;things,&#8217; their totems.&#8221;  But ultimately these collections become the &#8220;the detritus of&#8230;misplaced belief,&#8221; serving “only to make clear how inadequately I appreciated the moment when it was here.” </p>
<p>&nbsp;</p>
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			<media:title type="html">&#039;Atolls a-tolling:&#039; The American Carrier, the USS Enterprise, under attack in the battle of Guadalcanal, the Solomon Islands, 1942.</media:title>
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			<media:title type="html">Japanese &#039;Kate&#039; drops a torpedo on the USS Carrier Hornet in the battle of Guadalcanal, the Solomon Islands.  </media:title>
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		<title>Tuesday Poem: &#8220;Goodbye to My Wife&#8221; &#8212; Stanzas 212 to 217</title>
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		<pubDate>Mon, 09 Jan 2012 11:21:56 +0000</pubDate>
		<dc:creator>immortalmuse</dc:creator>
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		<description><![CDATA[Res Publica, Book One, Canto the Third 212. The mist had passed. Now I was waking to my Avalon, aware I’d left behind my worldly cares to win this heavenly realm. No taking of life or breaking of hearts could &#8230; <a href="http://immortalmuse.wordpress.com/2012/01/10/goodbye-to-my-wife-stanzas-212-to-217/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=immortalmuse.wordpress.com&amp;blog=9357570&amp;post=3227&amp;subd=immortalmuse&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><em><strong>Res Publica, Book One, Canto the Third</strong></em></p>
<p></em></strong></font></p>
<p><div id="attachment_3228" class="wp-caption alignright" style="width: 160px"><a href="http://immortalmuse.files.wordpress.com/2012/01/stilettos-shoes-black-2.jpg"><img src="http://immortalmuse.files.wordpress.com/2012/01/stilettos-shoes-black-2.jpg?w=150&#038;h=150" alt="‘Her black stilettos / stepping from her matching black /  convertible Beamer.’ " title="‘Her black stilettos / stepping from her matching black /  convertible Beamer.’ " width="150" height="150" class="size-thumbnail wp-image-3228" /></a><p class="wp-caption-text">‘Her black stilettos / stepping from her matching black /  convertible Beamer.’ </p></div><strong>212.</p>
<p>The mist had passed. Now I was waking<br />
to my Avalon, aware<br />
I’d left behind my worldly cares<br />
to win this heavenly realm. No taking<br />
of life or breaking of hearts could here<br />
occur; so what had I to fear? </p>
<p>The past was mist. Now I was turning<br />
round my faithful <em>Tug</em>. She sighed<br />
and moaned, she did (as if discerning<br />
my intent), while I began to guide<br />
her back into the misty glare<br />
where waves in tinseled eveningwear<br />
awaited dusk’s bewitching hour . . .<br />
reminding me . . . My wife! How sour </p>
<p>213.</p>
<p>she’ll be! I pictured black stilettos<br />
stepping from her matching black<br />
convertible Beamer.<sup>106</sup> She’s early back<br />
from work. The pair of plump palmettos<br />
salute her in the dying rays<br />
of salmon-color light which seem to paint,<br />
by chance, a more authentic layer<br />
upon that pseudo-mission house.<br />
And as – a virtuoso player! –<br />
she chins her diary, my spouse<br />
sifts through her Gucci purse, all rush<br />
and ﬂush and sun-emblazoned blush.<br />
The giant mission bell observes her.<br />
It seems to know what will unnerve her. </p>
<p>214.</p>
<p>For after all that house-key sifting<br />
– a small, askew, white envelope<br />
resides on parquet ﬂoor: </p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<em>I hope,<br />
my dear, you’ll ﬁnd these words reviving<br />
if, perchance, your heels have slipped<br />
on this – this note – and you have ﬂipped<br />
and knocked your head, or ripped a nylon<br />
– or worse, that Prada denim skirt<br />
you bought in Paris. I see no smile on<br />
your face. Come on. It’s joy, not hurt,<br />
I wish to offer now: You’re free!<br />
Yes, free! That oath you gave to me<br />
I cancel; and grant you, with this letter,<br />
rights to men who suit you better!</em></p>
<p>215.</p>
<p>‘He always does this when I need – ’ O<br />
how upset she’d be without<br />
her handbag spouse to tote about!<br />
My cummerbund, my white tuxedo,<br />
they’d have to ﬁt another mate<br />
 – and soon! – or else she’d activate<br />
those deeply diagnostic articles<br />
found in all the Women’s press,<br />
the ones which scan your every particle<br />
for tell-tale signs of grief or stress.<br />
To go alone? She might as well<br />
not shave her underarms and smell<br />
of ﬁsh! This thought would deeply vex her.<br />
Her phone is voice-dialed: ‘Dexter! Dexter!’</p>
<p>216.</p>
<p>But let us leave her to her scheming,<br />
my gentle reader. This sudden ﬂash<br />
of marital thoughts came from my rash<br />
(but ﬁrm) and contradictory-seeming<br />
retreat. I’d turned back home, back west,<br />
as if relinquishing my quest<br />
to claim that resolute and armor-<br />
plated isle. Okay, if she’s<br />
afraid, poor island, I shall not harm her . . .<br />
But then – with frothy surge of sea<br />
I spun the wheel round! I’d say<br />
we were about a mile away<br />
when once again her rocks were glimmering<br />
– like foam upon a milk-pot simmering –</p>
<p>217.</p>
<p>straight before our eyes. A minute’s<br />
rest I granted faithful <em>Tug</em>,<br />
then squeezed her wheel, a farewell hug.<br />
The Eastern sky now held within it<br />
fragments of a moon whose case<br />
had cracked and now it leaked through space<br />
a stream of pale magenta vapors.<br />
It felt unreal. A sailor in a dream!<br />
My boat made out of folded paper!<br />
Goodbye dear <em>Tug</em>! So frail she seemed.<br />
It pained to think of her demise,<br />
but it was easy to surmise<br />
I’d die as well – and thus, undaunted,<br />
I chose for two the fate <em>one</em> wanted.</p>
<p></strong><br />
<br />
<em><sup>106</sup> Fashionable nickname of cars made by the German-based Bayerische Motoren Werke (BMW).</em></p>
<p>&nbsp;</p>
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		<title>&#8220;Tug of War&#8221; &#8212; Stanzas 206 to 211</title>
		<link>http://immortalmuse.wordpress.com/2012/01/04/tuesday-poem-tug-of-war-stanzas-206-to-211/</link>
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		<pubDate>Tue, 03 Jan 2012 11:33:06 +0000</pubDate>
		<dc:creator>immortalmuse</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Rachel Hunter]]></category>

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		<description><![CDATA[Res Publica, Book One, Canto the Third In which the narrator describes how he left his wife and journeyed to his new island on a boat he named The Tug of War . . . 206. I ﬁnished packing the &#8230; <a href="http://immortalmuse.wordpress.com/2012/01/04/tuesday-poem-tug-of-war-stanzas-206-to-211/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=immortalmuse.wordpress.com&amp;blog=9357570&amp;post=3212&amp;subd=immortalmuse&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><em><strong>Res Publica, Book One, Canto the Third</strong></em></p>
<p><font size="+1"><strong><em>In which the narrator describes how he left his wife and journeyed to his new island on a boat he named </em>The Tug of War<em> . . . </p>
<p></em></strong></font></p>
<p><div id="attachment_3215" class="wp-caption alignright" style="width: 121px"><a href="http://immortalmuse.files.wordpress.com/2012/01/rule5_rachel_hunter_52.jpg"><img src="http://immortalmuse.files.wordpress.com/2012/01/rule5_rachel_hunter_52.jpg?w=111&#038;h=150" alt="Rachel Hunter" title="Rachel Hunter" width="111" height="150" class="size-thumbnail wp-image-3215" /></a><p class="wp-caption-text">Rachel Hunter</p></div><strong>206.</p>
<p>I ﬁnished packing the last container,<br />
a misty, sterile, mid-afternoon<br />
in ’96, the ﬁrst of June,<br />
and climbed aboard an old Purse-Seiner<sup>103</sup><br />
I’d bought with cash six weeks before<br />
and boldly christened: <em>The Tug of War</em>.<br />
A creaky, big-beamed girl with solid<br />
timber hull (like you, my love!).<br />
A group of friends and dock-mates all did<br />
wish me well, while I, above,<br />
on greasy, rain-slicked deck, between<br />
the winch and hydra-crane did wean<br />
my babe from birth. The motor thundered.<br />
My waiving crowd, they must have wondered:  </p>
<p>207.</p>
<p>‘What type of fellow takes the dollars<br />
granted by a doting, dead,<br />
rich uncle [to hide the truth, I’d said<br />
my uncle had died] and buys a <em>trawler</em>?’ </p>
<p>‘Either he’s a man inspired<br />
– in which case he should be admired –<br />
or he’s obsessed; indeed, fanatical.’ </p>
<p>‘Mad, no doubt. At his young age.<br />
In that rust-bucket.’ </p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;‘Who takes sabbatical<br />
from a life with weekly wage<br />
paid by a wife as rich and hot<br />
as Rachel Hunter?’<sup>104</sup> (I told them not<br />
to tell my wife I’d left).</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;‘Once gone, ’em<br />
bludgers’ll move in.<sup>105</sup> But hey, good <em>on</em> ’im!’</p>
<p>208.</p>
<p>Then as the water’s rippling arrow<br />
prodded forth my <em>Tug of War</em><br />
and drove me from the sand-rimmed shore<br />
(which rising tide made extra narrow),<br />
the mist spray-painted the scene behind<br />
an ashen grey. My burning mind<br />
was cauterized of doubt. I only<br />
thought of what lay forward. The isle,<br />
those rocks, the albatross – that lonely<br />
bird whose sanctum I’d deﬁled.<br />
To make amends, I’d packed some ﬁsh,<br />
some frozen herring (I’d partly wished<br />
we might be friends, that I could feed it)<br />
but it turned out that I wouldn’t need it.</p>
<p>209.</p>
<p>My darling rock, however, was waiting<br />
at the rendezvous, as we’d<br />
agreed. And trusty <em>Tug</em> – her speed<br />
reduced, her engine room pulsating,<br />
her pale white skin all varicose veined<br />
with squiggly patches of rust – remained<br />
on dutiful course; and soon that gentle<br />
mottled hump of earth appeared<br />
amidst the twitching, temperamental<br />
sea. But just as I had feared,<br />
that lovely rump, that winsome curve<br />
of land which thrilled me to observe,<br />
and ﬁlled me with the urge to snuggle,<br />
put up a wanton virgin’s struggle.</p>
<p>210.</p>
<p>Upon her sea-bed, my sweet, seductive,<br />
callipygian maid there lay<br />
with haunches daringly displayed;<br />
yet when I groped, her sharp obstructive<br />
rocks began to lash and swipe – and <em>spit</em>.<br />
Alas (shy thing!), she didn’t permit<br />
my larger, unfamiliar vessel<br />
a place to mount (the way she’d let<br />
my smaller skiff so smoothly nestle<br />
midst her crags the night we’d met).<br />
I lewdly circled – a bachelor Sheikh,<br />
with trailing, gold-trimmed robe my wake.<br />
I stopped, then tried to wrestle closer,<br />
perhaps to better diagnose her.</p>
<p>211.</p>
<p>But no! The surging sea (now higher).<br />
My growing desire to land. The slap<br />
of tide against her loins. Though gaps<br />
and ﬁssures caught my probing eyes, her<br />
chiseled features wouldn’t dilate<br />
for me. I trust you won’t berate<br />
me, reader – a lesser ship; a greater<br />
number of trips. I know. You’re right.<br />
I could have saved some loads for later<br />
and tamed my bride without the ﬁght.<br />
But as I’ve said before: My mind<br />
is not – <em>was</em> not – that common kind:<br />
a mind that plans, is shrewd and tactical.<br />
When life means nothing, why be practical?</p>
<p></strong><br />
<br />
<em><sup>103</sup> A ﬁshing boat that carries large ﬁshing nets (seines) which are drawn in the shape of a bag (purse) to haul up catch onto the deck.<br />
<sup>104</sup> Rachel Hunter (born 1969), New Zealand-born fashion model, actress, TV personality, and former wife of rock star Rod Stewart (born 1945).<br />
<sup>105</sup> Bludgers is apparently New Zealand slang for someone who ‘bludges’ or sponges off other people or the government, as in ‘dole bludger’ (ref. ‘Dictionary of Kiwi Slang’, by Dave McGill).</em></p>
<p>__________<br />
<em>Zireaux&#8217;s comments on these stanzas</em><br />
Thank you <a href="http://immortalmuse.wordpress.com/2011/12/19/the-survival-of-hitchenism-to-christopher-13-april-1949-15-december-2011/#comment-594">John</a>, <a href="http://anafflictionofpoetry.blogspot.com/">A.J.</a>, <a href="http://helenlowe.info/blog/">Helen</a> and <a href="http://pscottier.com/">Penelope</a> for the comments and wishes. </p>
<p><div id="attachment_3222" class="wp-caption alignright" style="width: 122px"><a href="http://immortalmuse.files.wordpress.com/2012/01/450px-varanus_varius1.jpg"><img src="http://immortalmuse.files.wordpress.com/2012/01/450px-varanus_varius1.jpg?w=112&#038;h=150" alt="A lace monitor (Varanus varius) in Byfield National Park " title="A lace monitor (Varanus varius) in Byfield National Park " width="112" height="150" class="size-thumbnail wp-image-3222" /></a><p class="wp-caption-text">A lace monitor (Varanus varius) in Byfield National Park </p></div>A few days break last week, after the long delivery of one of the five novels &#8212; non-identical quintuplets &#8212; kicking in my head.  Walks in the outback, with xenicas, ringlets, browns, tortoiseshells, coppers, blues, swordgrass swallowtails, giant skippers, kookaburras, rosellas, black cockatoos, a sky clouded with little red beetles and dragonflies, and an enormous goanna, a monitor lizard (six feet long?) halfway up a tree, entirely conspicuous, but believing itself invisible to my eyes.  </p>
<p>I snapped a digital image of the monitor, but, strangely, you can hardly see the creature in the photo, as if to confirm the instinctive hyperbole of our imagination, the genesis of phantasmagoria &#8212; dragons, gorgons, anthropophagi &#8212; found on 14th century maps. An image taken from Wikipedia, however, confirms the lizards&#8217;s tree-hugging propensity, if not its enormity (you&#8217;ll have to trust me).  </p>
<p>&nbsp;</p>
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		<title>A New Novel by Zireaux for 2012</title>
		<link>http://immortalmuse.wordpress.com/2011/12/31/a-new-novel-by-zireaux-for-2012/</link>
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		<pubDate>Sat, 31 Dec 2011 07:01:12 +0000</pubDate>
		<dc:creator>immortalmuse</dc:creator>
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		<description><![CDATA[We just received a new prose novel from Zireaux. It&#8217;s about a famous writer&#8217;s last book &#8212; his 98th book. Mystery, violence, adventure, sexual intrigue &#8212; it&#8217;s got it all. As one of the characters in the book puts it: &#8230; <a href="http://immortalmuse.wordpress.com/2011/12/31/a-new-novel-by-zireaux-for-2012/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=immortalmuse.wordpress.com&amp;blog=9357570&amp;post=3201&amp;subd=immortalmuse&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_3203" class="wp-caption alignright" style="width: 155px"><a href="http://immortalmuse.files.wordpress.com/2011/12/502-firework.jpg"><img src="http://immortalmuse.files.wordpress.com/2011/12/502-firework.jpg?w=145&#038;h=150" alt="Happy New Year" title="Happy New Year" width="145" height="150" class="size-thumbnail wp-image-3203" /></a><p class="wp-caption-text">Happy New Year</p></div>We just received a new prose novel from Zireaux.  It&#8217;s about a famous writer&#8217;s last book &#8212; his 98th book. </p>
<p>Mystery, violence, adventure, sexual intrigue &#8212; it&#8217;s got it all.</p>
<p>As one of the characters in the book puts it: &#8220;I can&#8217;t think of a biography subject more captivating than a stark raving mad artist living on a remote island &#8212; <em>with a gun in his hands</em>.&#8221; </p>
<p>Apparently people all around the world are commemorating the completion of the novel with some fireworks tonight.  We weren&#8217;t expecting that, but we appreciate the gesture.</p>
<p>Wishing you all a happy 2012!</p>
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		<title>&#8220;A Slow Backstroke in Heaving Seas&#8221; &#8212; Stanzas 200 to 205</title>
		<link>http://immortalmuse.wordpress.com/2011/12/27/tuesday-poem-a-slow-backstroke-in-heaving-seas-stanzas-200-to-205/</link>
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		<pubDate>Tue, 27 Dec 2011 00:07:46 +0000</pubDate>
		<dc:creator>immortalmuse</dc:creator>
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		<description><![CDATA[Res Publica, Book One, Canto the Third 200. And O that unctuous, lubricating mud! Your breasts like oysters glossed in scrumptious espagnole sauce; but what I found most loin-inﬂating was how your crevices were ﬁlled up each with mire. And &#8230; <a href="http://immortalmuse.wordpress.com/2011/12/27/tuesday-poem-a-slow-backstroke-in-heaving-seas-stanzas-200-to-205/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=immortalmuse.wordpress.com&amp;blog=9357570&amp;post=3192&amp;subd=immortalmuse&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_3195" class="wp-caption alignright" style="width: 160px"><a href="http://immortalmuse.files.wordpress.com/2011/12/image200508-f100-j26.jpg"><img src="http://immortalmuse.files.wordpress.com/2011/12/image200508-f100-j26.jpg?w=150&#038;h=99" alt="&#039;...a slow back-stroke / in heaving seas...&#039;  Image by Bernd Nies (www.nies.ch)" title="&#039;...a slow back-stroke / in heaving seas...&#039;  Image by Bernd Nies (www.nies.ch)" width="150" height="99" class="size-thumbnail wp-image-3195" /></a><p class="wp-caption-text">&#039;A slow back-stroke / in heaving seas.&#039;  Image by Bernd Nies (www.nies.ch)</p></div><em><strong>Res Publica, Book One, Canto the Third</strong></em></p>
<p><strong>200.</p>
<p>And O that unctuous, lubricating<br />
mud! Your breasts like oysters glossed<br />
in scrumptious <em>espagnole</em> sauce;<br />
but what I found most loin-inﬂating<br />
was how your crevices were ﬁlled<br />
up each with mire. And how I thrilled<br />
to sound their depths, my <em>plumpus corpus</em>!<br />
To feel around your blubber-spheres<br />
my darling whale. . . </p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;‘!’ </p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;‘Okay then, <em>porpoise</em>.’ </p>
<p>‘My panties were on. <em>And</em> my brassiere.<br />
You say you’re not, in truth, a bard;<br />
but such a claim is truly hard<br />
to believe. Such lyrical agility<br />
does damage to your credibility.’ </p>
<p>201.</p>
<p>‘Would we be hiding here, my mistress,<br />
if I was so sincere? While I’m<br />
digressing aimlessly in rhyme<br />
(which critics will deem both “thrilling” <em>and</em> “listless”)<br />
my crime stays <em>unconfessed</em>. I said<br />
my <em>story’s</em> true. Had I, instead,<br />
claimed <em>I</em> was always true, plain-speaking,<br />
that <em>I</em> was empty of desire<br />
and never scheming or self-seeking,<br />
what sort of trust would I inspire?<br />
Our reader has been kind. To give<br />
some lodging to a fugitive.<br />
And if I claimed I’m sheriff here,<br />
the daemon-hunting seraph here,</p>
<p>202.</p>
<p>then who’d believe me? When I mistreated<br />
such kind, affectionate parents who cared<br />
so much for me they weren’t prepared<br />
to let me go? When I retreated<br />
from their lives, their only son,<br />
declared my marriage over-done?<br />
And when, in hospital, my mad-bitch<br />
wife now lies, while I this old<br />
refuge inhabit, a writer’s pad which<br />
thrills the literati (who hold<br />
their parties here, extol the <em>man</em>,<br />
as if his life were greater than<br />
his books. Their parties, of course, just frighten<br />
his ghost, who just wants peace to write in)</p>
<p>203.</p>
<p>– inhabit with a large but nimble<br />
lover, not to mention a ghost<br />
who types all night but writes, at most,<br />
the vaguest imprint, some unknown symbol<br />
upon an unturned roller . . . ’ </p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;‘What time<br />
you’re wasting, Arcady! Two dozen lines<br />
for what? You sure digression’s stanzas<br />
are worth it? Readers may ﬁnd<br />
these maundering extravaganzas<br />
signs the poet must be broke.’ </p>
<p>‘A rest, my love. A slow back-stroke<br />
in heaving seas. Must I forever<br />
crawl and kick in this endeavor?</p>
<p>204.</p>
<p>Besides, you cheat me of some credit<br />
here. A hill requires ridges, crags<br />
– not height alone – if it’s to snag<br />
the best of climbers. If hikers tread it<br />
easily, how can it earn<br />
respect? So too these lyrics turn<br />
into an epic if digression<br />
rifts and cleaves the reader’s path.’</p>
<p>‘ . . . and such a candid, cool confession<br />
may incur your readers’ wrath!<br />
And turn them to a simpler book.<br />
Be practical! Without a hook,<br />
why ﬁsh at all? What good is carving<br />
couplets when your body’s starving?</p>
<p>205.</p>
<p>Not to mention <em>mine</em>! I’m tempted<br />
to write your story myself! Its start<br />
and end I know. It’s just the part<br />
between from which I was exempted.’</p>
<p>‘What’s there to tell? I started, a baby,<br />
like everyone else. I lived. I lied.<br />
I made a fortune. Others died.<br />
<em>Finis</em>. What else is there? What matters<br />
is <em>now</em> – and <em>you</em> – your lovely tears<br />
and how, sometimes, they’ll even splatter<br />
on the ﬂoor! What’s seven years<br />
of life compared to that? To see<br />
a tear emerge is bliss to me.<br />
To touch it, divine. But O, to kiss it,<br />
or hold it on my tongue – exquisite!’<br />
</strong></p>
<p>__________<br />
<em>Zireaux&#8217;s comments on these stanzas</em><br />
No comments.  Just wishing you all a happy holiday season. </p>
<p>&nbsp;</p>
<p style="text-align:left;font-size:8pt;"><a href="http://immortalmuse.wordpress.com/res-publica-book-one/"><img src="http://immortalmuse.files.wordpress.com/2011/05/rpbookimage-12.jpg?w=500&#038;h=70" height="70" border="0" align="right"></a><a href="http://immortalmuse.wordpress.com/2011/05/10/seven-years-and-fifty-weeks/">Read from the beginning of <em>Res Publica</em></a> | <a href="http://immortalmuse.wordpress.com/listen-now/">Listen to the audio version (read by Stuart Devenie)</a> | <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&amp;hosted_button_id=8M54WUNS9UJGL">Buy a signed copy of the book</a></p>
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			<media:title type="html">&#039;...a slow back-stroke / in heaving seas...&#039;  Image by Bernd Nies (www.nies.ch)</media:title>
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		<title>&#8220;On Making Muddy Love to My Muse&#8221; &#8212; Stanzas 194 to 199</title>
		<link>http://immortalmuse.wordpress.com/2011/12/20/tuesday-poem-on-making-muddy-love-to-my-muse-stanzas-194-to-199/</link>
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		<pubDate>Mon, 19 Dec 2011 23:00:47 +0000</pubDate>
		<dc:creator>immortalmuse</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Janet Frame]]></category>

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		<description><![CDATA[Res Publica, Book One, Canto the Third How the narrator’s memory is interrupted by his new guest (who’s now moved in with him), and how the two of them make muddy love beneath a lemonwood . . . 194. She &#8230; <a href="http://immortalmuse.wordpress.com/2011/12/20/tuesday-poem-on-making-muddy-love-to-my-muse-stanzas-194-to-199/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=immortalmuse.wordpress.com&amp;blog=9357570&amp;post=3182&amp;subd=immortalmuse&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><em><strong>Res Publica, Book One, Canto the Third</strong></em></p>
<p><font size="+1"><strong><em>How the narrator’s memory is interrupted by his new guest (who’s now moved in with him), and how the two of them make muddy love beneath a lemonwood . . .<br />
</em></strong></font></p>
<p><div id="attachment_3184" class="wp-caption alignright" style="width: 160px"><a href="http://immortalmuse.files.wordpress.com/2011/12/la_nascita_di_venere_botticelli.jpg"><img src="http://immortalmuse.files.wordpress.com/2011/12/la_nascita_di_venere_botticelli.jpg?w=150&#038;h=96" alt="The Birth of Venus by Sandro Botticelli, ca. 1485  &#039;It&#039;s not / some dreamy Aphrodite&#039;s snot / I seek.&#039;" title="The Birth of Venus by Sandro Botticelli, ca. 1485  &#039;It&#039;s not / some dreamy Aphrodite&#039;s snot / I seek.&#039;" width="150" height="96" class="size-thumbnail wp-image-3184" /></a><p class="wp-caption-text">The Birth of Venus by Sandro Botticelli, ca. 1485  &#039;It&#039;s not / some dreamy Aphrodite&#039;s snot / I seek.&#039;</p></div><strong>194.</p>
<p>She says to me:<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;‘But could those veiling<br />
drops of unwiped liquid block<br />
that inner sense, that visceral shock<br />
a father feels whose child is ailing?<br />
And if he did not <em>see</em> your stare,<br />
I’m sure he <em>felt</em> you sitting there.’ </p>
<p>My hackles raise. I want to scold her:<br />
‘If you insist on resting your chin,<br />
then use my lap and <em>not</em> my shoulder!’ </p>
<p>It’s been twelve days since she moved in.<br />
Twelve days since pestilent despair<br />
was banished from this refuge where<br />
I had, till then, worked so impassively.<br />
But with her here – and here so . . . <em>massively</em> – </p>
<p>195.</p>
<p>I ﬁnd myself much more attracted<br />
to this, this perfumed present tense,<br />
than to those pungent, brackish scents<br />
I smell each time my past’s enacted.<br />
For O! What waves of pure delight<br />
enveloped me the other night<br />
when Nutmeg’s face, all streaked with juices<br />
met my straining, harrowed eyes!<br />
She still had nasty scars and bruises<br />
round her stomach, arms and thighs –<br />
but O! Her face! Her lovely face!<br />
A huge full-moon with ample space<br />
for all her features – stern and succulent,<br />
weepy, broad, inﬁrm and truculent.</p>
<p>196.</p>
<p>‘But did I say you could explore them?<br />
[She interrupts again!] What type<br />
of man is so excited to wipe<br />
a woman’s nose? A website for them<br />
must be somewhere on the Net,<br />
with images of shiny, wet<br />
and raw-pink nostrils!’ </p>
<p>‘Let prudes rebuke us!’<br />
I say. ‘Your breasts are glorious, true.<br />
But O to see them gleam with mucus,<br />
dimpled with your body’s dew –<br />
O lovely, leaking darling! It’s not<br />
some dreamy Aphrodite’s snot<br />
I seek. It’s <em>yours</em> I ﬁnd delicious.<br />
Your body’s sweeter when lubricious.</p>
<p>197.</p>
<p>When we roll about in dripping<br />
glands and rheum-anointed skin;<br />
and all that sloppy ooze within<br />
is offered for my famished sipping;<br />
and my embrace is, truth be known,<br />
more slip than grip, as ﬂesh and bone<br />
dissolve into a slick erotic<br />
slime, a kind of primal brew<br />
that’s – help me, rhyme – that’s amniotic!</p>
<p>Last week, the howling rain, do you<br />
recall it? The way our love-born scents<br />
into a single, fetid blend condensed;<br />
your screams, though bold, all peaceful, quiet,<br />
as night time is when crickets riot.’</p>
<p>198.</p>
<p>But, reader – Ms. Gleesome’s heart. We sank it.<br />
That quilt she loved (the one whose fame<br />
was stitched in it by Janet Frame)<sup>102</sup><br />
the karpok pillow, tartan blanket,<br />
ancient mattress – how soon they were<br />
a sodden clump, a ball of fur.<br />
It was impossible to make it<br />
tidy. O poor Ms. Gleesome! Nor could<br />
we dress before she came. So naked<br />
we stood there, reader! The lemonwood<br />
our shelter. We watched her look around,<br />
then start, as if she’d heard the sound<br />
our hearts were making; then move nearer<br />
to the window, her look severer,</p>
<p>199.</p>
<p>forehead pressed – like half a sandwich –<br />
in the middle, gazing at<br />
the lemonwood where we had sat<br />
with clothes in hands, on gurgling land which<br />
slurped our toes and chilled our knees.<br />
I thought you were praying. But then you sneezed!<br />
Again. A third. </p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;‘She’ll hear us!’ I pleaded. </p>
<p>But soon the window, I noticed, had cleared.<br />
Her tall grey ﬁgure had retreated.<br />
And then – how quickly she appeared<br />
again! In front this time! Half-crazed.<br />
Her out-of-joint umbrella raised.<br />
Then down the busy street she darted<br />
– while we our muddy love re-started.</p>
<p></strong><br />
<em><sup>102</sup> The New Zealand writer Janet Frame (1924–2004) composed her ﬁrst published novel, <em>Owls Do Cry</em>, in an old army hut in the garden of Frank Sargeson’s property. The hut was removed when part of the land was sold after Sargeson’s death, but the patchwork quilt that Janet Frame cobbled together for Sargeson’s bed remains.<br />
</em><br />
__________<br />
<em>Zireaux&#8217;s comments on these stanzas</em><br />
The final verses of <em>Res Publica, Book One</em>, will continue through the holiday period.  No better time for poetry.  </p>
<p>Be sure to visit the <a href="http://tuesdaypoem.blogspot.com">Tuesday Poets</a> at <a href="http://tuesdaypoem.blogspot.com">tuesdaypoem.blogspot.com</a>.</p>
<p>&nbsp;</p>
<p style="text-align:left;font-size:8pt;"><a href="http://immortalmuse.wordpress.com/res-publica-book-one/"><img src="http://immortalmuse.files.wordpress.com/2011/05/rpbookimage-12.jpg?w=500&#038;h=70" height="70" border="0" align="right"></a><a href="http://immortalmuse.wordpress.com/2011/05/10/seven-years-and-fifty-weeks/">Read from the beginning of <em>Res Publica</em></a> | <a href="http://immortalmuse.wordpress.com/listen-now/">Listen to the audio version (read by Stuart Devenie)</a> | <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&amp;hosted_button_id=8M54WUNS9UJGL">Buy a signed copy of the book</a></p>
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			<media:title type="html">The Birth of Venus by Sandro Botticelli, ca. 1485  &#039;It&#039;s not / some dreamy Aphrodite&#039;s snot / I seek.&#039;</media:title>
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		<title>The Survival of Hitchenism &#8212; To Christopher (13 April 1949 – 15 December 2011)</title>
		<link>http://immortalmuse.wordpress.com/2011/12/19/the-survival-of-hitchenism-to-christopher-13-april-1949-15-december-2011/</link>
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		<pubDate>Sun, 18 Dec 2011 22:27:44 +0000</pubDate>
		<dc:creator>immortalmuse</dc:creator>
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		<category><![CDATA[Christopher Hitchens]]></category>

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		<description><![CDATA[I never met Christopher Hitchens, but I once knew a doppelganger of his, a world away from England. So similar were they &#8212; their body shape, their oratory styles, the deadpan facial expressions, their inability to produce anything of grace &#8230; <a href="http://immortalmuse.wordpress.com/2011/12/19/the-survival-of-hitchenism-to-christopher-13-april-1949-15-december-2011/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=immortalmuse.wordpress.com&amp;blog=9357570&amp;post=3169&amp;subd=immortalmuse&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://immortalmuse.files.wordpress.com/2011/12/240px-christopher_hitchens_crop_2.jpg"><img src="http://immortalmuse.files.wordpress.com/2011/12/240px-christopher_hitchens_crop_2.jpg?w=109&#038;h=150" alt="" title="240px-Christopher_Hitchens_crop_2" width="109" height="150" class="alignright size-thumbnail wp-image-3170" /></a>I never met Christopher Hitchens, but I once knew a doppelganger of his, a world away from England. </p>
<p>So similar were they &#8212; their body shape, their oratory styles, the deadpan facial expressions, their inability to produce anything of grace (dance, music, sport, nothing) apart from the astonishing fluidity of their speech &#8212; so similar were these two people that I&#8217;m inclined to consider &#8220;Hitchenism&#8221; as a kind of condition, a one-in-a-million genetic mutation, with a Hitchens holding fort in every metropolis.</p>
<p>A difference, though, is that this Hitchens (the famous one) had the work ethic of an ox, the doggedness of a Tasmanian devil, and most of all, the good fortune to mingle with masters in London.  I&#8217;m thinking of his <em>New Statemen</em> chums &#8212; Amis, Barnes, Fenton, and later McEwan, Rushdie, and many others.  Coming from such a pedigree, the bar of political discourse in America can&#8217;t appear any lower; or more appropriately &#8212; pugilism instead of high-jump &#8212; the Americans wear kid-gloves compared to the bare-knuckled brawls in which Hitchens was trained.  His method was simple. He would out-read, out-write, out-punch you. </p>
<p>A mediocre stylist, said Amis of Hitchens&#8217;s early days, and when it comes to literary output, I&#8217;d agree with that.  Hitchens knew art better than anyone, but like an old eunuch gazing quizzically &#8212; and often admiringly &#8212; at another man&#8217;s genitals, he could never quite produce it himself.  Besides, Hitchens showed that style is one thing, sitting in the chair and writing is another. It&#8217;s not enough to think original thoughts; you must be out there fighting for territory.  </p>
<p>At <em>The Nation</em>, he ground out article after article, exciting, soldierly stuff.  But he was speaking to readers.  His real calling, it turned out, was speaking to listeners.  Jumping into the noisy American political fray, he was right at home.  A &#8220;news groupie&#8221; my narrator calls him in <em>Kamal, Book One</em>.</p>
<p><em>Now let us not disgrace a poem<br />
with world affairs and those who choose<br />
– like Rush, or Chris, or even Noam –<br />
to be the groupies of the news.<br />
</em></p>
<p>Not sure I like seeing Rush Limbaugh and Chris Hitchens in the same disparaging tetrameter, but then again, that&#8217;s where we wanted Chris to be &#8212; right in Rush&#8217;s face.</p>
<p>I&#8217;m a hopeless talker.  When it comes to articulation, I think of myself as one those people you occasionally see trying to walk multiple dogs.  A tangle of leads.  Hitchens&#8217;s verbal rhetoric was a single attack dog on a vastly extendable leash, relentless, ferocious, sometimes let loose completely; and people like me admired those fangs, the carnassial tearing apart of dopey belief.  We appreciated the vigilance, the bite he gave to our occasional barking thoughts.</p>
<p>Once the jaws clamped down, that was it.  He never let go.</p>
<p>When it comes to death, however, one has to let go.  Although if anyone could win that argument, it was Hitch (which is another reason his death is so disappointing). Then again, if &#8220;Hitchenism&#8221; is really more of a genetic condition than a character &#8212; and I think it may well be &#8212; our species is evolving his direction anyway.  Toward a braver kind of thinking.  We&#8217;re right behind the charge he&#8217;s led.</p>
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		<title>&#8220;He Taught Me History&#8217;s Charm&#8221; &#8212; Stanzas 189 to 193</title>
		<link>http://immortalmuse.wordpress.com/2011/12/13/tuesday-poem-he-taught-me-historys-charm-stanzas-189-to-193/</link>
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		<pubDate>Mon, 12 Dec 2011 11:10:28 +0000</pubDate>
		<dc:creator>immortalmuse</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Aishwarya Rai]]></category>
		<category><![CDATA[Lata Mangeshkar]]></category>

		<guid isPermaLink="false">http://immortalmuse.wordpress.com/?p=3132</guid>
		<description><![CDATA[Res Publica, Book One, Canto the Third 189. ‘Look there!’ dear Memory alerts me. ‘Someone’s coming!’ &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;Into my seat I sink, and see across the street a man whose palsied posture hurts me if I should think too long on &#8230; <a href="http://immortalmuse.wordpress.com/2011/12/13/tuesday-poem-he-taught-me-historys-charm-stanzas-189-to-193/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=immortalmuse.wordpress.com&amp;blog=9357570&amp;post=3132&amp;subd=immortalmuse&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_3141" class="wp-caption alignright" style="width: 160px"><a href="http://immortalmuse.files.wordpress.com/2011/12/cheops_pyramid_01.jpg"><img src="http://immortalmuse.files.wordpress.com/2011/12/cheops_pyramid_01.jpg?w=150&#038;h=112" alt="Pyramid of Khufu (Cheops)" title="Pyramid of Khufu (Cheops)" width="150" height="112" class="size-thumbnail wp-image-3141" /></a><p class="wp-caption-text">Pyramid of Khufu (Cheops)</p></div><em><strong>Res Publica, Book One, Canto the Third</strong></em></p>
<p><strong>189.</p>
<p>‘Look there!’ dear Memory alerts me.<br />
‘Someone’s coming!’ </p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Into my seat<br />
I sink, and see across the street<br />
a man whose palsied posture hurts me<br />
if I should think too long on it.<br />
His face in shadow, poorly lit.<br />
A stubborn child, perhaps an orphan,<br />
holds him back. He seems to stoop.<br />
Then sunlight makes the foundling morph, and<br />
now I see that I’m its dupe:<br />
That fat orange waif who makes him lag<br />
is just a council rubbish bag.<br />
The aged man in tie and blazer?<br />
A sage, a god to his appraiser.</p>
<p>190.</p>
<p>He taught me history’s charm, its beauty,<br />
mystery, moodiness and whim.<br />
How deeply I admired him<br />
while in his stylish shoes and suit he<br />
walked us through a limestone room<br />
beneath the rocks of Cheops tomb,<br />
or took us to his nana’s village<br />
near Beijing, where ancient times<br />
saw Kublai Khan its houses pillage;<br />
or helped my boyish body climb<br />
(while other kids took tests at school)<br />
a minaret in Istanbul!<br />
And even now I feel his ﬁngers,<br />
smell the ﬂesh where pipe-smoke lingers; </p>
<p>191.</p>
<p>see his limpid eyes – deceptive<br />
really, of the dreamy kind,<br />
as if engaged in life behind<br />
the irises, and yet perceptive<br />
too, collective, too; the orbs<br />
in seconds steal a scene, absorb<br />
its treasures calmly, as art collectors<br />
seem unmoved by styles or shapes,<br />
yet buy them; or Bollywood directors<br />
choose a Western plot to ape,<br />
but only if Aishwarya Rai<br />
can lip-synch Ms. Mangeshkar’s cry.<sup>101</sup><br />
Thus father’s tranquil eyes re-rendered<br />
all he saw with added splendor.</p>
<p>192.</p>
<p>A gust of wind. The ﬁgure lurches<br />
forth, then drops his load, then turns<br />
around, but rather than adjourn<br />
back to the house, he stops and searches<br />
– for what? A drop of rain? It comes.<br />
A sudden spray of water drums<br />
upon the Jaguar’s windshield, blurring<br />
driveway, man and bright-orange pile;<br />
and still the ﬁgure isn’t stirring<br />
– why? He seems to stand awhile<br />
getting wet. Then turns his head.<br />
You’d think, with all those colors bled,<br />
that through my window’s beaded curtain<br />
he could not see me. But am I certain?</p>
<p><div id="attachment_3139" class="wp-caption alignright" style="width: 160px"><a href="http://immortalmuse.files.wordpress.com/2011/12/220px-lata_mangeshkar_-_still_29065_crop.jpg"><img src="http://immortalmuse.files.wordpress.com/2011/12/220px-lata_mangeshkar_-_still_29065_crop.jpg?w=150&#038;h=136" alt="Lata Mangeshkar" title="Lata Mangeshkar" width="150" height="136" class="size-thumbnail wp-image-3139" /></a><p class="wp-caption-text">Lata Mangeshkar</p></div>193.</p>
<p>Or do I hear his voice – ‘Arcady?’<br />
I think I hear it. But even if<br />
he saw the car, and me, the stiff<br />
within, what further probe he made, he<br />
wouldn’t have recognized his son.<br />
I’d grown a beard and had begun<br />
to wear a Cossack’s hat of rabbit’s<br />
fur I’d bought to keep me warm<br />
upon the land I’d soon inhabit. </p>
<p>‘Let’s go,’ I say. And true to form,<br />
my Memory obeys, and starts<br />
the car and – faithful to my heart –<br />
it heeds a wish I’ve left unspoken,<br />
and drives away with wipers unwoken.</p>
<p><!---&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; . . . and drives away.--><br />
</strong><br />
<em><sup>101</sup> Aishwarya Rai (born 1973), winner of the 1994 Miss World beauty pageant, is a well known Bollywood ﬁlm star, recently appearing in several Hollywood ﬁlms as well. An Indian colleague of mine informs me that Lata Mangeshkar is 76 years old and still singing popular ‘playback’ songs for Bollywood ﬁlms; that is, she sings the voice of lip-synching actresses. She is reported to have a voice that spans three octaves, and she has recorded over 50,000 songs. Many top astrologers in India, explains my colleague, claim Ms. Mangeshkar has one of India’s 10 ‘most powerful’ horoscopes of the last century. </p>
<p></em><br />
__________<br />
<em>Zireaux&#8217;s comments on these stanzas</em><br />
This is the end of the farewell-to-his-parents section of <em>Res Publica</em>, Arcady&#8217;s final day on the mainland before he sails off to his island.  His island adventure now begins. </p>
<p>I also want to let readers know: The <a href="http://www.amazon.com/gp/product/B0011MRGK8/ref=pd_lpo_k2_dp_sr_1?pf_rd_p=1278548962&amp;pf_rd_s=lpo-top-stripe-1&amp;pf_rd_t=201&amp;pf_rd_i=0473126133&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_r=0RQKSTYABKPP60FW063J" title="Kamal by Zireaux on Kindle">Kindle edition of <em>Kamal, Book One</em></a> has been reformatted and re-released.  </p>
<p>Unlike prose novels, a novel-in-verse can be a nightmare to format.  The old version, words crawling around the page like a disturbed ant colony, was almost unreadable &#8212; and here&#8217;s the irony, it was more expensive, too.  </p>
<p>The new version has 99% of the words in their correct location, and it&#8217;s just $2.99.  So if you have a Kindle &#8212; or a device that reads Kindle books &#8212; please take a moment to download <a href="http://www.amazon.com/gp/product/B0011MRGK8/ref=pd_lpo_k2_dp_sr_1?pf_rd_p=1278548962&amp;pf_rd_s=lpo-top-stripe-1&amp;pf_rd_t=201&amp;pf_rd_i=0473126133&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_r=0RQKSTYABKPP60FW063J" title="Kamal by Zireaux on Kindle"><em>Kamal, Book One</em></a>.  </p>
<p>Also, be sure to visit the other <a href="http://tuesdaypoem.blogspot.com">Tuesday Poets</a> at <a href="http://tuesdaypoem.blogspot.com">tuesdaypoem.blogspot.com</a>.</p>
<p>&nbsp;</p>
<p style="text-align:left;font-size:8pt;"><a href="http://immortalmuse.wordpress.com/res-publica-book-one/"><img src="http://immortalmuse.files.wordpress.com/2011/05/rpbookimage-12.jpg?w=500&#038;h=70" height="70" border="0" align="right"></a><a href="http://immortalmuse.wordpress.com/2011/05/10/seven-years-and-fifty-weeks/">Read from the beginning of <em>Res Publica</em></a> | <a href="http://immortalmuse.wordpress.com/listen-now/">Listen to the audio version (read by Stuart Devenie)</a> | <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&amp;hosted_button_id=8M54WUNS9UJGL">Buy a signed copy of the book</a></p>
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		<title>Orchard Swallowtail Butterfly (Papilio aegeus) &#8212; Female on Top</title>
		<link>http://immortalmuse.wordpress.com/2011/12/09/orchard-swallowtail-butterfly-papilio-aegeus-female-on-top/</link>
		<comments>http://immortalmuse.wordpress.com/2011/12/09/orchard-swallowtail-butterfly-papilio-aegeus-female-on-top/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 12:01:38 +0000</pubDate>
		<dc:creator>immortalmuse</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[The Australian summer has arrived, country trails bursting with ants, termites, beetles, giant wasps, a flurry of common browns and tortoiseshells. You can hear the Crimson Rosellas eating in the trees, the patter of discarded husks on the pavement below. &#8230; <a href="http://immortalmuse.wordpress.com/2011/12/09/orchard-swallowtail-butterfly-papilio-aegeus-female-on-top/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=immortalmuse.wordpress.com&amp;blog=9357570&amp;post=3121&amp;subd=immortalmuse&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>The Australian summer has arrived, country trails bursting with ants, termites, beetles, giant wasps, a flurry of common browns and tortoiseshells.  You can hear the Crimson Rosellas eating in the trees, the patter of discarded husks on the pavement below. </p>
<p>Here are some photographs taken the other day in the garden of the guesthouse where I&#8217;m staying.  This is the Orchard Swallowtail Butterfly (<em>Papilio aegeus</em>).  Female is on top.</p>
<div id="attachment_3122" class="wp-caption alignright" style="width: 1034px"><a href="http://immortalmuse.files.wordpress.com/2011/12/bflies.jpg"><img src="http://immortalmuse.files.wordpress.com/2011/12/bflies.jpg?w=1024&#038;h=807" alt="Orchard Swallowtail Butterfly - Papilio aegeus" title="Orchard Swallowtail Butterfly - Papilio aegeus" width="1024" height="807" class="size-large wp-image-3122" /></a><p class="wp-caption-text">Orchard Swallowtail Butterfly - Papilio aegeus - Female on top</p></div>
<div id="attachment_3123" class="wp-caption alignright" style="width: 1034px"><a href="http://immortalmuse.files.wordpress.com/2011/12/sam_1897.jpg"><img src="http://immortalmuse.files.wordpress.com/2011/12/sam_1897.jpg?w=1024&#038;h=768" alt="Orchard Swallowtail Butterfly - Papilio aegeus" title="Orchard Swallowtail Butterfly - Papilio aegeus" width="1024" height="768" class="size-large wp-image-3123" /></a><p class="wp-caption-text">Orchard Swallowtail Butterfly - Papilio aegeus - Female on top</p></div>
<p>-Zireaux</p>
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